Just like its protagonists, Bombshell sacrifices radical change for mainstream accessibility. And just like Fox News, it is very white.

Greta Gerwig’s Little Women is, above all, a love letter to sisterhood and girlhood. It is lovingly crafted and gorgeously shot, and carries all the genuine energy and fervour of a houseful of little women navigating a world which they individually realise does not hold space for them.

I’m still trying to absorb it. It felt so odd, intrusive, illusionary to see this (beautiful, though wrongly and overly beautified in many ways) image of these people — I’ve spent so many hours considering them, thinking of them, imagining, evoking.

Give Joker a skip — not just because Joker is a misogynistic, racist, incel manifesto that will incite violence, but because it’s bad. Joker bad.

If The Handmaid’s Tale explored the concept of freedom and freewill, The Testaments explores accountability. Each time one of the characters in this book are faced with a choice between bravery and self-preservation, the reader must ask what they would do with that choice.

When it comes to human issues, I dislike statistics. They can easily be manipulated to support a particular bias. Facts can be entirely invented and published online as truth. This is why stories are so important. Girl, Woman, Other does this in a way that isn’t boring or biased. The book’s eclectic characters are fleshed out, flawed, sometimes brutal, always independent. 

HBO debuted their new period drama, Gentleman Jack, which follows the extraordinary life of “the first modern butch lesbian” Anne Lister. Anne is a top hat-wearing, cane-carrying badass who never seems to tire of getting shit done.

Queen of Basel is a great unraveling of race, power, and gender, and how these systems keep us apart.